During my childhood, my reading staples consisted of books written by American and British authors. At high school level, I was introduced to Caribbean novelists in English Literature classes. My school library had a collection of West Indian novels and that’s how I expanded my reading; however the subject matters in these novels were not specific to children. These were stories about West Indians trying to survive in Britain, but I didn’t enjoy reading them any less.
I wasn’t sure what reception my novel would receive once it was finished, but I decided to worry about that later and focus on producing a salable manuscript.
Inspiration came when a friend of mine told me about a situation her teenage niece was facing. She had lost her father suddenly and that provided a starting point for my novel, which I took in a different direction. Though I had the plot worked out in my mind, getting the mechanics right felt like a gargantuan task. I had put the cart before the horse, wanting to write the story before I had the requisite skills. Sure, I had always gotten good grades in English and English Literature, but fiction writing demanded a different set of skills.
I realized that I needed some basic knowledge if I was serious about writing YA fiction. At this point, I also decided to move on from the writing site I was on. Up to that point, I was blogging, which doesn’t compare with story telling. I migrated to thenextbigwriter and with the help of a group of patient and talented writers, combined with time spent reading innumerable articles on fiction writing, I learned the craft of writing. Call it on-the-job training.
That first novel dealt with issues that are common to the Jamaican situation, such as a home with too many children and not enough resources to go around. However, there were also not-so-common situations, such as the protagonist witnessing her father’s murder. In my opinion, that special something which sets the book apart is the main character and the way in which she handles the challenges that confront her.
For someone who had no ambitions of writing a young adult novel, I have moved to a place where I am happy that I wrote the book. After having read the book five years ago, my beta-readers still ask after that eleven-year-old girl as though she were a real person. Since then, I’ve continued the family’s saga through her brother’s story, and my readers were happy to see how that first character had developed over the two-year period that had elapsed in the storyline.
The story’s reception was good enough reason for me to have written the book. It’s not everyday that a writer creates a story that resonates with readers so that they laugh, cry and experience triumph alongside the characters.
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Summer Edward is a Children's Literature and Publishing Consultant. She holds an M.S.Ed. degree in Reading, Writing, Literacy from the University of Pennsylvania and is the recipient of a Highlights Foundation Scholarship for promising children's writers and the School of the Free Mind's inaugural Way of the Book Honor Award given to artist-authors demonstrating long and sincere commitment to changing the world through children's books. Learn more about her here .
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