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Children's Book Genres: Concept Books

July 30, 2013


Last month, I was at a workshop where I heard children's author David Martin talk about concept books. Since then, I've been inspired to look more closely at these books. If you're curious about concept books, or thinking about writing or illustrating one, this blog is for you.

Above is a general definition of 'concept book' from the University of California Cooperative Extension's website that I really like. To be more specific, you can recognize a concept book by these signs:

1) The book helps children learn age-appropriate concepts (like colors, patterns, shapes, counting, time, the alphabet, opposites, seasons, butterfly life-cycle etc.) and usually does so in a clever or creative way. Concept books are typically the first informational books a child will read. Some people include picturebooks that convey abstract concepts, such as change or fairness, in this category, but scholars like Ann D. Carlson (1991) limit the genre to books that teach tangible, concrete concepts.

Need an example? Emily Gravett's Orange Pear Apple Bear is a classic concept book that addresses the concepts of colors, shapes, and fruits:




2)  The book may or may not have a plot. You will hear some people saying that concept books are nonfiction, purely informational books that do not have a plot, characters, or dialogue. This is actually a generalization and therefore false. It is true that many concept books don't have plots. These are your so-called "list books" books that read like a loosely structured catalog. Alphabears: An ABC Book by Kathleen Hague is a good example of a plot-less concept book. This book introduces a bear for each letter of the alphabet and describes its special qualities in rhyme.




Here are some of the pages from another plot-less concept book titled Pomelo’s Opposites. It was written by Ramona Badescu.



On the other hand, some concept books, like Mouse Paint by Ellen Stoll Walsh (spoiler alert), do have a plot; they tell a story that has a beginning, middle, and end, while conveying the concept or concepts (some concept books address more than one concept).

In Mouse Paint, three white mice hide from a cat by camouflaging themselves against a white sheet of paper. Then the mice discover three jars of paint: red, blue, and yellow. Each mouse climbs into a jar of paint and as they emerge, they leave puddles of paint on the paper. As they crawl through the puddles, they accidentally discover that they can mix colors to produce new ones and have fun mixing the colors. Finally, they wash themselves clean (in the cat's water bowl) and paint the paper with all the available colors―except for a section of white where they can hide from the cat. This concept book tells a story about three mice while addressing the concept of primary and secondary colors.





3) The book relies on pictures. Concept books are a type of picturebook because they use illustrations to convey the concepts and to tell the story if there is one. Concepts books are illustrated in a range of media, including photography.


Last words on concept books

• Because concept books are useful for introducing basic ideas, patterns, object sets and words, they are marketed for preschool and kindergarten audiences.

• Concept books are not only greatly enjoyed by children, they have often been favorites with award committees; concept books like Donald Crews' Freight Train and Lois Ehlert's Color Zoo have snagged Caldecott medals in recent years. So don't be fooled, concept books aren't easy to write; a lot of thought goes into them and if done well, you can come up with something distinctive with a lot of cleverness packed into it. Lois Ehlert is one author-illustrator who has made a career out of creating concept books.

    So if you see a publisher stating "no concept books" in their submission guidelines, you know what they're talking about. Please don't hesitate to leave a comment if you have any questions or thoughts about concept books.


    Also...

      Check out these rather brilliant concept books!

      • Press Here by HervĂ© Tullet

      • Alphabet Under Construction by Denise Fleming

    Types of Books for Children and Teens- Formats Explained

    April 11, 2013



    I recently had a client who was confused about the different children's book formats. This is not unusual. I remember when I first started out to learn about children's publishing, I was confused by all the jargon myself. Early readers? Chapter books? Picturebooks? Isn't a children's book just a children's book? Well, hopefully this post will clear up all the confusion.

    If you want to succeed in this field, it's important to know the standard genres and formats associated with books for children and young people. This is crucial information both for the purposes of writing your story, and for submitting your manuscript to agents and publishers. When you query a literary agent for example, you need to include the book genre and format in your query letter. The last thing you want to do is come across as an amateur who doesn't know their stuff. Below is everything you need to know to use children's-book-format-speak with ease. Feel free to leave a comment and let me know if you have any questions.



    Board books

    Board books are the "baby" of the children's book family. Board books are often marketed as infant, toddler, or baby books. They are meant to be read (and played with) by infants ages 0 to 3 and are designed as such. Infants tend to chew, dribble on, and throw down objects, so the pages of board books are made of thick paperboard with a glossy finish to withstand the wear and tear.

    Board books are also small in size and typically (although not always) square-shaped– the standard size being 6×6 inches – making them easy for the small hands of very young children to handle. The length varies, but 12 pages is typical and 300 words or less is usually what publishers require (in terms of your manuscript, think one-half to one page). Board books can have a single word on each page, or a few very simple sentences.

    Since these books are for pre-emergent readers (babies and toddlers who are just beginning to grasp the basic concepts of books, letters, and print) and early emergent readers, they have very simple subject matter and basic plots. Many of them teach early learning concepts, like the alphabet, numbers, or colors. Lullabies, nursery rhymes, fingerplays, or wordless books are typical for this format. The illustrations in board books emphasize bright, colorful imagery to engage tots.

    The pages of board books often have die-cut rounded corners, or may be shape trimmed with a special die cut. Board books can also have special/novelty features to engage very young children, e.g. lift-the flaps, "touch and feel", finger tabs, pop-ups, or books that make sounds. The vast majority of board books are printed and produced in China and Mexico.



    Picturebooks

    Picturebooks are written for children ages 4 to 8 (or 3 to 8). At this time, children typically enter the emergent reader and early reader stages. Also, their attention spans are longer and they can sit still for a longer time. They are now ready to leave board books behind and read longer books, i.e., picturebooks. Recommended word lengths vary slightly from publisher to publisher, but fall into the 400 to 900 word range. In terms of your manuscript, that means 2 to 3 pages.

    The number of pages in a picturebook is always a multiple of 8. So 16, 24, 32, 40, or 48 pages; however the standard picturebook length is 32 pages. Why multiples of 8? Well, it has to do with a technical aspect of book bindery, namely, the fact that the pages of books are printed as signatures. This means the picturebook is actually printed on a single, large sheet of paper which is then folded and gathered to create the pages of the book. In terms of size, 8x10 inches (vertical book) is the most popular pictureook size. Other standard sizes used by traditional publishers include 8x8 inches (square book) and 10x8 inches (horizontal book).


    Picturebooks are so called because the illustrations dominate the text or are as important. In fact, the hallmark of a good picturebook is that the illustrations and the text accompany and complement each other to the extent that the text would be incomplete without the illustrations, i.e. the pictures play an equally important role as the text in telling the story. It is not uncommon for every single page of a pictureook to be illustrated. Picturebooks are illustrated using a wide rage of media, from water color, acrylic, and color pencils to collage, photography, and digital illustration.


    Picturebooks cover an almost endless array of topics and are written in different styles. They require simple, linear plots, i.e. no sub plots or complicated narrative twists. They also require one main character who embodies the child's feelings, concerns and point of view (usually a child or animal character; however, an adult protagonist that children can sympathize with can work as well. An example of a child-friendly adult protagonist is Amos McGee in the picturebook, A Sick Day for Amos McGee by Philip C. Stead). There are many types of picturebooks such as rhyming, rebus, multicultural, wordless, concept, and post-modern picturebooks (the categories can overlap of course). Another type of picturebook is the picture storybook which I describe next.


    Picture storybooks

    A picture storybook (also called a "story picturebook") is a type of picturebook. The term "picture storybook" is used by some publishers to specify a longer picturebook for older children (more than 900 words is the ballpark). Picture storybooks have more plot development and higher vocabulary level compared to picturebooks. There will also be more text on the page; in fact, in picture storybooks, there may be long chunks of text that take up an entire page.

    Another main difference between picturebooks and picture storybooks is the way they are illustrated. Above I explained that picturebooks rely heavily on the illustrations to tell the story. With picture storybooks, the illustrations aren't really integral to the story, but rather, serve the purpose of holding the child's attention. Often, with picture storybooks, the illustrations appear on every other page.


    Some publishers use the term "picturebook" to refer to both picturebooks and picture storybooks. This is where people can get confused because they may have read on one publisher's website that picturebooks should be no more than 500, 600 or 900 words, while other publishers state that they accept picturebooks up to 1,000, 1,500 or even 2,000 words. Just remember that publishers who say they accept "picturebooks" longer than 900 words are using the term "picturebook" broadly or interchangeably to include both picturebooks and picture storybooks. Your picture storybook manuscript should be around 6 pages long, and certainly keep it under 9 pages. Shorter is better than longer.


    Rebus books

    Rebus books aren't usually included in the round-ups of children's book formats I've seen online which is why I'm including them here. Rebus books are a type of picturebook where pictures are used to represent certain phrases, words or parts of words (syllables). These word substitution books are great for getting children engaged in reading. Rebus books also allow children to "read" and understand a story that might have been beyond their reading level if text alone was used. Furthermore, rebus books are valuable for helping children understand a key reading principle, i.e., that words represent concepts.


    If you are submitting a rebus story manuscript to a publisher, you can underline or highlight the words you think would make good pictures. Or you can simply send the full text of the story and the editor will pick which words to illustrate. Check to see what the publisher requires.


    Easy readers

    Easy readers, also called "beginning reader" and "easy-to-read" books, are books for children aged 6 to 8 who are just beginning to read on their own. They have 2 to 5 sentences per page and if they have chapters, the chapters are short (1 to 2 pages). Easy readers have very simple and somewhat predictable storylines, controlled vocabulary, and are grammatically simple. The story is told mainly through dialogue and action with very little description of characters or the setting. In terms of subject matter, easy readers cover themes and topics that children can easily relate to such as family, friends, pets, school, holidays, sports, being left out, first day of school etc.

    Much in the same fashion as picture storybooks, easy readers have color illustrations on every page or double page that are included merely to hold the child's interest (i.e., the illustrations are not crucial to the story.) Easy readers are meant to be a stepping stone to longer chapter books; as such, they have a small trim size compared to picturebooks or picture storybooks making the format more "grown up", and they are usually soft cover.

    Easy readers have different lengths depending on the publisher. They can be as short as 200 words or as long as 3,500 words (although most easy readers are in the 1,000 to 2,000 word range). That means anywhere from 32 to 64 book pages. Easy readers are commonly used in Kindergarten through 3rd grade classrooms for reading instruction. Many publishing houses have their own brand of easy readers with numbers or letters to indicate different reading levels.


    Chapter books

    Chapter books are for children aged 7 to 10 who are reading independently. Children can feel a great sense of pride when they begin reading chapter books because they see it as entering the privileged realm of "grown up" books. You'll often find that children who reach this stage start referring to the books they used to read before as "baby books" or "little kid books".

    Compared to easy readers, chapter books are meatier, with more complex sentences and plot development, however paragraphs are still short (2 to 4 sentences). They also tend to be character-driven stories. Many chapter books use hooks at the end of the chapter that compel the reader to keep reading. In terms of length, again, this varies from publisher to publisher, however the average range is 4,000 to 12,000 words. Your chapter book manuscript should be 40 to 60 pages. Chapter books may or may not be illustrated; when they are illustrated the illustrations are black and white.

    Early chapter books (sometimes called "transition books") have bigger print and slightly shorter chapters on average (2 to 3 pages) compared to more advanced chapter books which have chapters that are 3 to 4 pages long. They are also shorter- about 30 manuscript pages. Chapter books are sometimes written as a series, in fact, some of the most popular and commercially successful chapter books are series.


    Middle Grade and Young Adult (YA) Books

    Novels for young people fall into two categories: middle grade novels and young adult (YA) novels. Both middle grade and young adult novels cover a wide range of genres from speculative fiction and fantasy, to historical fiction, science fiction and more.

    Middle grade novels (also known as "children's novels") are novels for children's ages 8 to 12. These books are also sometimes marketed as "tween" or "pre-teen" books. They can be anywhere from 25,000 to 45,000 words long. The vast majority of published middle grade fiction novels have 35,000 to 45,000 words, however you'll see longer word counts for fantasy, sci-fi, and historical fiction middle grade novels (think Harry Potter). When writing a middle grade novel, aim for 100 to 150 manuscript pages. With non-fiction middle grade books on the other hand, word counts vary a lot (from as short as 5,000 words to as long as 100,000 words) depending on what different publishers are looking for.

    Compared to chapter books, middle grade novels have longer chapters, more sophisticated themes, and more complex plots (i.e., sub plots, secondary characters etc.) Middle grade novels typically aren't illustrated; however, some stylistic middle grade novels have illustrations every few pages (These are known as "illustrated books", an example being The Graveyard Book by Neil Gaiman). Some of the most popular middle grade novels are published as a series with each book featuring the same cast of recurring characters.

    Young adult novels are books for teens ages 12 and up. These novels can be anywhere from 40,000 to 70,000 words long, although YA novels in the paranormal, fantasy, sci-fi or historical genres can be longer, sometimes as long as 120,000 words. The safest bet is to stay below 100,000 words. That's 130 to 200 manuscript pages. By definition, in YA novels the main characters, and usually most of the secondary characters, have to be teenagers. The content and plots of young adult novels can be quite sophisticated, however these books always address themes and issues that are relevant to contemporary teens (self-discovery, dating and sexuality, coming-of-age, mental health issues, substance abuse, school violence, etc.)


    Short story collection/Anthology


    Generally speaking, publishers are not interested in short story collections or anthologies for children and teens unless they are written by already established authors. The short stories may be by one author (a collection) or by different authors (an anthology). All the stories in a collection or anthology are at roughly the same reading level and target a particular audience/age group. Often, the stories will share a common setting or theme, e.g. bullying.